Echendu Sonia 23BE032990 Assignment 2 13/6/25
Introduction
The alliance between Gucci and Dapper Dan during the Autumn/Winter
2018–2019 season is seen as a moment in fashion and representation. Dapper Dan,
a Harlem-based designer, was a pioneer who merged
contemporary fashion with casual appeal brand logos during the 1980s. After
decades of marginalization, his partnership with Gucci symbolized a different
merging of culture with the main fashion world.
This campaign, particularly its behind-the-scenes serves as a rich
text for critical analysis. To understand how meaning is created and
interpreted, this paper applies Stuart Hall’s Encoding/Decoding model, focusing
on the negotiated reading of the campaign - reveals how audiences not fully accept
Gucci’s message while questioning its realness and implication.
Stuart Hall’s Negotiated Reading: Theory Overview
Stuart Hall’s theory pinpoints the idea that media
messages carry fixed meanings, Hall’s argues instead that audiences always
interpret content based on their cultural experience, social position and personal
experiences. Hall introduces three types of interpretations: dominant - where
the viewer fully accepts the intended message oppositional - where the viewer rejects it entirely and negotiated where the
viewer partly agrees but also questions certain aspects negotiated reading is used for media texts like this
campaign. Where meanings are uncovered to diverse interpretations. This
method pinpoints the active role audiences play in interpreting meaning rather
than passively accepting it.
Negotiated Reading of the Gucci x Dapper Dan Campaign
1.
Power of
Representation:
At first sight, the campaign encodes a message of cultural appreciation.
By partnering with Dapper Dan, Gucci recognize the designer’s remarkable contribution
on luxury fashion. The picture used celebrate a history oppressed community and
its cultural heritage making it a global name.
From a negotiated perspective, many people will accept this
representation as an uplifting. Seeing a Harlem-based designer enhanced by a
global luxury brand can be good. Its pinpoint rising in an industry that has
often been looked down at for cultural appropriation. This aspect of the
campaign resonates positively, especially with audiences in cultural pride.
2.
Questions On Power
and Authenticity:
Despite this acceptance, the negotiated reader also critically
questions the campaign hidden stories behind heritage. The partnership shows
symbolically, takes place within a capitalist system where Gucci revolve the
narrative. Dapper Dan, although visible, does not hold equal power compared to
Gucci’s corporate system. This makes us questions about the true authentic of
the representation that was accepted.
Is the campaign a true celebration of Harlem and Black culture, or
is it a strategic marketing designed to pinpoint from cultural art? The
negotiated reading acknowledges that while Gucci may be empowering Dapper Dan’s
legacy, it is benefiting from his work and culture capital, influence strategically.
This makes viewers to ponder whether the partnership is
an act of true inclusion or simply a repackaging of Black creativity for
mainstream consumption.
3.
Audience Reaction
and Social media:
Social media and Audience reactions to the campaign shows the
negotiated reading in real time. On social media platforms, audiences unconsciously
praise Gucci for recognizing Dapper Dan, a designer who was once pushed to the margin
and Harlem culture.
Many people celebrate the recognition given to Black culture, yet
others pinpoint the current inequalities in the fashion industry that this
campaign does not rehandle. While the campaign was praised, it also brought about scepticism. Some
questioned whether it was a true step toward inclusivity or just a form of
fashion washing where brands major on oppressed cultures for profit without
showing any effort on deeper issues. This discussion shows the ongoing
issue about racial inequality and power dynamics in the fashion industry. The
mixed reactions highlight how consumers both embrace and challenge such
initiatives, exposing the complex interplay between branding and social
responsibility.
4.
Rewriting Fashion Narratives:
Looking at the
campaign from a historical view enriches its interpretation. In the 1980s and
1990s, Dapper Dan gained recognition for combining luxury brand logos, designing
bold, designs for his Harlem community. However, many fashion industry, like Gucci,
put down his work unauthorized, which led to lawsuits that eventually close his
fashion house. Years later, the Gucci brand that once put down his innovation
is now collaborating with him.
Through a negotiated lens, it honours a
designer who defied fashion norms and is now being welcomed into the industry.
Yet deeper questions arise why did it take so long for this recognition to
happen? Is Gucci leveraging this partnership to repair its image without fully
confronting its past exclusion of Black creatives? While the collaboration
appears forward-thinking, the power dynamics remain unbalanced.
Conclusion
Applying Stuart Hall’s negotiated reading to the Gucci x Dapper Dan
A/W ’18–’19 campaign shows a real and critical discussion between message and
audience. While the campaign encodes a message of celebration, audiences
receive it in ways that both accept and challenge its views.
This underscores the importance of active interpretation in media
consumption. The campaign’s portrayal of Harlem and Dapper Dan’s legacy make
sense but is incomplete, inviting viewers to celebrate progress while demanding
authenticity. It explains to us that no message is neutral.
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